Articles, papers, presentations, and other materials authored by faculty from the English department of Loyola University Chicago's College of Arts & Sciences.
Submissions from 2023
It’s Complicated: Some Irregular Line-Ending Morphosyllabic Sequences in Piers Plowman B, Ian Cornelius
Medieval Manuscripts at Loyola University Chicago, Ian Cornelius and Kathy Young
Submissions from 2022
Viruses, Vaccines, and the Erotics of Risk in Latinx HIV Stories and Covid-19, Dr. Suzanne Bost
Feminist Modernist Dance, Part II, Melissa Bradshaw and Jessica Ray Herzogenrath
Langland Parrhesiastes, Ian Cornelius
Language and Meter, Ian Cornelius
Submissions from 2021
Feminist Modernist Dance, Melissa Bradshaw and Jessica Ray Herzogenrath
Hanna (ed.), Richard Rolle: Unprinted Latin Writings, Ian Cornelius
Take this Work Global, Ian Cornelius
The text of the "ABC of Aristotle" in the ‘Winchester Anthology’, Ian Cornelius
The Intricacies of Counting to Four in Old English Poetry, Ian Cornelius and Eric Weiskott
Submissions from 2020
McMullen/Weaver (eds.), The Legacy of Boethius in Medieval England, Ian Cornelius
Christopher Bigsby, Twenty-First Century American Playwrights, Verna Foster
Fragmented Spectatorship and Artistic Beholding in The Red Badge of Courage, John Kerkering
Submissions from 2019
Disability, Decoloniality, and Other-than-Humanist Ethics in Anzaldúan Thought, Suzanne Bost
Irrational Bodies, Emerging Beings: Disability and Decoloniality in Anzaldúan Thought, Suzanne Bost
From Work to Tech: Digital Archives and Queer Narratives, Pamela Caughie and Sabine Meyer
Ralph Hanna, The Penn Commentary on "Piers Plowman", Volume 2: C Passūs 5-9; B Passūs 5-7; A Passūs 5-8, Ian Cornelius
Review of Piers Plowman and the Books of Nature by Rebecca Davis, Ian Cornelius
Review of The Penn Commentary on 'Piers Plowman', Vol. 4: C Passūs 15--19; B Passūs 13--17, by Traugott Lawler, Ian Cornelius
Susan E. Deskis, Alliterative Proverbs in Medieval England: Language Choice and Literary Meaning, Ian Cornelius
The Present, the Past and the Material Object, Paul Eggert
The Charles Harpur Critical Archive: A History and Technical Report, Paul Eggert and Desmond A. Schmidt
Frances Babbage, Adaptation in Contemporary Theatre: Performing Literature, Verna Foster
Evincing Criticism and Collegiality in Scholarly Reviews, Joseph Janangelo
How to Play a Poem by Don Bialostosky, Jayme Stayer
Leonard Diepveen. Modernist Fraud: Hoax, Parody, Deception, Jayme Stayer
How Lawrence Launched His Career in London, Joyce Wexler
How Lawrence Launched His Career in London, Joyce Wexler
Submissions from 2018
Curriculum Vitae: Transsexual Life Writing and the Biofictional Novel, Pamela Caughie
Storm Clouds on the Horizon: Feminist Ontologies and the Problem of Gender, Pamela L. Caughie, Emily Datskou, and Rebecca Parker
Review essay: an edition of the archetype of Piers Plowman B, Ian Cornelius
The Lay Folks’ Catechism, Alliterative Verse, and Cursus, Ian Cornelius
Romantic Poetry, Technical Breakthrough and the Changing Editorial Role, Paul Eggert and Desmond A. Schmidt
Time and Tragedy in Beth Henley’s The Jacksonian, Verna A. Foster
Conrad's Erotic Women, Joyce Wexler
Submissions from 2017
The “Vagabond Black” Renaissance, Pamela L. Caughie
Grammars and Rhetorics, Ian Cornelius
Versions and Versioning: A Critical Archive of D. H. Lawrence, Paul Eggert
from The Golden Infection, Laura Goldstein
Nowhere in the Middle Ages. Karma Lochrie. The Middle Ages Series. Philadelphia: University of Pennsylvania Press, 2016. 270 pp. $65., Christopher Kendrick
Beyond Pacifism: Teaching World War I Literature from Left to Right, Joyce Wexler
Under Western Eyes and Terrorism Today, Joyce Wexler
Submissions from 2016
Ear to the Battleground: NEw Books on Hearing What is Lost, Howard S. Axelrod
Ite Inflammate Omnia: Setting the World on Fire with Learning, Mark Bosco, SJ
Othello in Shakespeare 400 Chicago, Verna Foster
The Merchant of Venice in Shakespeare 400 Chicago, Verna Foster
Socialism and Fantasy: China Miéville’s Fables of Race and Class, Christopher Kendrick
Submissions from 2015
Messy Archives and Materials that Matter: Making Knowledge with the Gloria E. Anzaldúa Papers, Suzanne Bost
The Modernist Novel in its Contemporaneity, Pamela L. Caughie
Gower and the Peasants’ Revolt, Ian Cornelius
White Woods and Blue Jasmine: Woody Allen Rewrites A Streetcar Named Desire, Verna Foster
grid, Laura Goldstein
Tradition, Innovation, and the Value of the Liberal Arts, Paul Jay
Submissions from 2014
Response: “Unsafe Politics and Risky Connections”, Suzanne Bost
Review: The Routledge Concise History of Latino/a Literature, Suzanne Bost
The Queer Debt Crisis: How Queer is Now?, Pamela L. Caughie
Christian Indians at War: Evangelism and Military Communication in the Anglo-French-Native Borderlands, Jeffrey Glover
Critique and Theory in the History of the Modern Humanities, Paul Jay
How Not to Defend the Liberal Arts, Paul Jay
State of the Discipline: Comparative Literature and Transdisciplinarity, Paul Jay
Three Contexts for Reading Johnson’s Parliamentary Debates, Thomas Kaminski
Six Instructional Best Practices for Online Engagement and Retention, Kathleen Poll, Jeanne Widen, and Sherri Weller
Chasing the Writer, Joyce Wexler
Submissions from 2013
The New Normal: Black Psychic Subjectivity in Antwone Fisher, Badia Sahar Ahad
Dogs and Servants, Pamela L. Caughie
The Temporality of Modernist Life Writing in the Era of Transsexualism, Pamela L. Caughie
The Temporality of Modernist Life Writing in the Era of Transsexualism: Virginia Woolf’s Orlando and Einar Wegener’s Man Into Woman, Pamela L. Caughie
seeds, Laura Goldstein
CWPA Position Statement on Pre-College Credit for Writing, Krtistine Hansen, Jeffrey Andelora, Heidi Estrem, Clint Gardner, Joseph Janangelo, and Susan Miller-Cochran
A Dialogue of the Seven Cardinal Virtues and the Seven Deadly Sins in British Library MS Harley 2399, Edward Wheatley
Submissions from 2012
Rendering the Idea of a Writing Program: A Look at Six Two-Year Colleges, Joseph Janangelo and Jeffrey Klausman
Fear of Being Useful, Paul Jay and Gerald Graff
Writing About Violence in a Secular Age: Conrad’s Solution, Joyce Wexler
Submissions from 2011
Charlotte Brontë’s Villette, Mid-Victorian Anti-Catholicism, and the Turn to Secularism, Michael M. Clarke
Review of Samuel Otter’s Philadelphia Stories: America’s Literature of Race and Freedom, John Kerkering
Submissions from 2010
Audible Identities: Passing and Sound Technologies, Pamela L. Caughie
"Passing" and Identity: A Literary Perspective on Gender and Sexual Diversity, Pamela L. Caughie
Virginia Woolf: Radio, Gramophone, and Broadcasting, Pamela L. Caughie
Submissions from 2009
Emily Brontë’s ‘No Coward Soul’ and the Need for a Religious Literary Criticism, Micael M. Clarke
Second Life, Video Games, and the Social Text, Steven E. Jones
Submissions from 2008
Junot Díaz Redefines Macho, Paul Jay
Submissions from 2007
Postmodern and Poststructuralist Approaches to Virginia Woolf, Pamela L. Caughie
Submissions from 2006
The Example of Barbara Johnson, Pamela Caughie
Digital Romanticism in the Age of Neo-Luddism: the Romantic Circles Experiment, Steven Jones
Electronic Textual Editing: The Poem and the Network: Editing Poetry Electronically, Steven Jones and Neil Fraistat
Submissions from 2005
Passing as Modernism, Pamela L. Caughie
Jane Kenyon, Jayme Stayer
Stephen Dunn, Jayme Stayer
Submissions from 2004
Review of Race and the Modern Artist, John Kerkering
Submissions from 2003
Using Music to Teach the Sounds of Poetry: Some User-Friendly Advice for the Non-Musician, Jayme Stayer
Submissions from 2001
“Of Me and of Mine”: The Music of Racial Identity in Whitman and Lanier, Dvořák and DuBois, John Kerkering
"We Are Five-and-Forty": Meter and National Identity in Sir Walter Scott, John Kerkering
Submissions from 2000
How Do We Keep Desire from Passing with Beauty?, Pamela L. Caughie
Submissions from 1999
Passing, Pamela Caughie
‘Supernatural, or at Least Romantic': the Ancient Mariner and Parody, Steven Jones
Submissions from 1997
Let It Pass: Changing the Subject, Once Again, Pamela L. Caughie
