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Introduction to the Corporate Annual Report: A Business Application with IFRS Content
Thomas Zeller and Brian Stanko
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Domestic Ceramic Production and Spatial Organization : A Mexican Case Study in Ethnoarchaeology
Philip J. Arnold III
This pioneering ethnoarchaeological study is of contemporary ceramic production and consumption in several villages in the Los Tuxtlas region of Mexico. While many archaeologists have identified ceramic production zones in the archaeological record, their identifying criteria have often been vague and impressionistic. The present book's contribution is to use ethnographic research to suggest how archaeologists might consistently recognise ceramic manufacturing. It also places ceramic production in larger cultural contexts and provides details of the ecology, production, distribution, use, discard, and site formation processes. Philip Arnold's critical observations on some of the serious weaknesses in archaeological interpretations of ceramic production will interest Mesoamericanists and all other archaeologists grappling with these, and related, issues.
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Mulattas and Mestizas Representing Mixed Identities in the Americas, 1850-2000
Suzanne Bost
In this broadly conceived exploration of how people represent identity in the Americas, Suzanne Bost argues that mixture has been central to the definition of race in the United States, Mexico, and the Caribbean since the nineteenth century. Her study is particularly relevant in an era that promotes mixed-race musicians, actors, sports heroes, and supermodels as icons of a "new" America. Bost challenges the popular media's notion that a new millennium has ushered in a radical transformation of American ethnicity; in fact, this paradigm of the "changing" face of America extends throughout American history. Working from literary and historical accounts of mulattas, mestizas, and creoles, Bost analyzes a tradition, dating from the nineteenth century, of theorizing identity in terms of racial and sexual mixture. By examining racial politics in Mexico and the United States; racially mixed female characters in Anglo-American, African American, and Latina narratives; and ideas of mixture in the Caribbean, she ultimately reveals how the fascination with mixture often corresponds to racial segregation, sciences of purity, and white supremacy. The racism at the foundation of many nineteenth-century writings encourages Bost to examine more closely the subtexts of contemporary writings on the "browning" of America. Original and ambitious in scope, Mulattas and Mestizas measures contemporary representations of mixed-race identity in the United States against the history of mixed-race identity in the Americas. It warns us to be cautious of the current, millennial celebration of mixture in popular culture and identity studies, which may, contrary to all appearances, mask persistent racism and nostalgia for purity.
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T. S. Eliot and the Cultural Divide
David E. Chinitz
The modernist poet T. S. Eliot has been applauded and denounced for decades as a staunch champion of high art and an implacable opponent of popular culture. But Eliot’s elitism was never what it seemed. T. S. Eliot and the Cultural Divide refurbishes this great writer for the twenty-first century, presenting him as the complex figure he was, an artist attentive not only to literature but to detective fiction, vaudeville theater, jazz, and the songs of Tin Pan Alley. David Chinitz argues that Eliot was productively engaged with popular culture in some form at every stage of his career, and that his response to it, as expressed in his poetry, plays, and essays, was ambivalent rather than hostile. He shows that American jazz, for example, was a major influence on Eliot’s poetry during its maturation. He discusses Eliot’s surprisingly persistent interest in popular culture both in such famous works as The Waste Land and in such lesser-known pieces as Sweeney Agonistes. And he traces Eliot’s long, quixotic struggle to close the widening gap between high art and popular culture through a new type of public art: contemporary popular verse drama. What results is a work that will persuade adherents and detractors alike to return to Eliot and find in him a writer who liked a good show, a good thriller, and a good tune, as well as a “great” poem.
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Home and Hegemony: Domestic Service and Identity politics in South and Southeast Asia
Kathleen M. Adams and Sara Dickey
In the intimate context of domestic service, power relations take on one of their most personalized forms. Domestic servants and their employers must formulate their political identities in relationship to each other, sometimes reinforcing and sometimes challenging broader social hierarchies such as those based on class, caste or rank, gender, race and ethnicity, nationality, sexual orientation, and kinship relations.
This pathbreaking collection builds on recent examinations of identity in the postcolonial states of South and Southeast Asia by investigating the ways in which domestic workers and their employers come to know and depict one another and themselves through their interactions inside and outside of the home. This setting provides a particularly apt arena for examining the daily negotiations of power and hegemony.
Contributors to the volume provide rich ethnographic analyses that avoid a narrow focus on either workers or employers. Rather, they examine systems of power through specific topics that range from the notion of "nurture for sale" to the roles of morality and humor in the negotiation of hierarchy and the dilemmas faced by foreign employers who find themselves in life-and-death dependence on their servants.
With its provocative theoretical and ethnographic contributions to current debates, this collection will be of interest to scholars in Asian studies, women's studies, anthropology, sociology, and cultural studies.
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Lost Boys : Why Our Sons Turn Violent and How We Can Save Them
James Garbarino
Our national consciousness has been altered by haunting images of mass slaughters in American high schools, carried out by troubled young boys with guns. It’s now clear that no matter where we live or how hard we try as parents, our children are likely to be going to school with boys who are capable of getting guns and pulling triggers. What has caused teen violence to spread from the urban war-zones of large cities right into the country’s heartland? And what can we do to stop this terrifying trend?
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Schooner Passage: Sailing Ships and the Lake Michigan Frontier
Theodore Karamanski
Schooner Passage is a history of some of the magnificent sailing vessels and their role in maritime trade along Lake Michigan.
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Claudian's In Eutropium,Or, How, When, and Why to Slander a Eunuch
Jacqueline Long
From A.D. 395 to 404, Claudian was the court poet of the Western Roman Empire, ruled by Honorius. In 399 the eunuch Eutropius, the grand chamberlain and power behind the Eastern Roman throne of Honorius's brother Arcadius, became consul. The poem In Eutropium is Claudian's brilliantly nasty response. In it he vilifies Eutropius and calls on Honorius's general, Stilicho, to redeem this disgrace to Roman honor. In this literary and historical study, Jacqueline Long argues that the poem was, in both intent and effect, political propaganda: Claudian exploited traditional prejudices against eunuchs to make Eutropius appear ludicrously alien to the ideals of Roman greatness. Long sets In Eutropium within the context of Greek and Roman political vituperation and satire from the classical to the late antique period. In addition, she demonstrates that the poem is an invaluable, if biased, source of historical information about Eutropius's career. Her analysis draws on modern propaganda theory and on reader response theory, thereby bringing a fresh perspective to the political implications of Claudian's work. Originally published in 1996.
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Passing and Pedagogy: The Dynamics of Responsibility
Pamela Caughie
The current academic milieu displays a deep ambivalence about the teaching of Western culture and traditional subject matter. This ambivalence, the product of a unique historical convergence of theory and diversity, opens up new opportunities for what Pamela Caughie calls "passing":recognizing and accounting for the subject positions involved in representing both the material being taught and oneself as a teacher.
Caughie's discussion of passing illuminates a recent phenomenon in academic writing and popular culture that revolves around identities and the ways in which they are deployed, both in the arts and in lived experience. Through a wide variety of texts--novels, memoirs, film, drama, theory, museum exhibits, legal cases--she demonstrates the dynamics of passing, presenting it not as the assumption of a fraudulent identity but as the recognition that the assumption of any identity, including for the purposes of teaching, is a form of passing.
Astutely addressing the relevance of passing for pedagogy, Caughie presents the possibility of a dynamic ethics responsive to the often polarizing difficulties inherent in today's culture. Challenging and thought-provoking, Passing and Pedagogy offers insight and inspiration for teachers and scholars as they seek to be responsible and effective in a complex, rapidly changing intellectual and cultural environment.
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Beethoven in German Politics, 1870-1989
David B. Dennis
This book chronicles the exploitation of Beethoven's life and work by German political parties from the founding of the modern nation to the East German Revolution of 1989. Drawing on a wealth of previously untapped archival resources, David B. Dennis examines how politicians have associated Beethoven with competing visions of German destiny, thereby transforming art and artist into powerful national symbols. Dennis shows for the first time that propagandists of every persuasion have equated Beethoven's works with dogma. In the late nineteenth century, supporters of Bismarck and the German emperors endorsed a militaristic interpretation forged during the Franco-Prussian War, while opponents promoted portraits of Beethoven as revolutionary. In the First World War, Beethoven was drawn into the trenches, where Germans countered enemy allegations that they had forfeited the right to enjoy his music. Beethoven interpretations fragmented in the Weimar Republic, as every faction formulated its own variation. The Nazi view of the composer as Fuhrer was enforced in the Third Reich. After 1945, German views of Beethoven corresponded to the division of the nation, but when the Iron Curtain collapsed in 1989 one sentiment rose to dominance: that all people could become brothers, just as the composer had wished in his Ninth Symphony. By establishing connections between Beethoven's art and public policy, Dennis has written a book of compelling interest to historians, musicologists, and Beethoven enthusiasts alike.
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Women and the Ownership of PMS : The Structuring of a Psychiatric Disorder
Anne Figert
This is the first book-length account of the controversy preceding and following the APA’s decision in 1986 to include a premenstrually related diagnosis in its revised diagnostic manual, DSM III-R. Figert examines why the decision was controversial and consequential in three main domains where people, their interests, and claims to ownership coincide: the Health and Mental Health Domain, the Woman Domain, and the Science Domain.
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The Psalms Commentary of Gilbert of Poitiers: From Lectio Divina to the Lecture Room
Theresa Gross-Diaz
This book makes available to scholars the unpublished proto- scholastic Commentary on the Psalms, composed by one of the outstanding figures of the early twelfth century, Gilbert of Poiters (Gilbert Porreta).
The commentary had its origins in the atmosphere of experimentation which characterized the schools of Laon, Chartres and Paris in the first decades of the century. Its unique mise en page, its methodology and its connection to other texts - especially glossed classical texts, the Glossa ordinaria and the writings of Peter Lombard - are explored. Gilbert's Commentary is a text critical for the understanding of the development of the discipline of theology in the twelfth century schools.
Loyola University Chicago faculty write and edit books on every subject imaginable. This gallery includes a selection of recently published faculty books, and includes links to the library copy of the book in most cases.
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