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The Impact of Irish-Ireland on Young Poland, 1890–1918
John A. Merchant
Moda Polska (Young Poland) emerged between 1890 and 1918. It was a unique movement in which Polish intellectuals attempted to combine native forms of expression with the ideals of European modernism to create artistically innovative and inherently Polish work.
John. A. Merchant examines the impact of a contemporary movement, Irish-Ireland, on Polish culture during the same period. He traces both Young Poland and Irish-Ireland's ideas of culture and politics while analyzing their geopolitical differences. Of all the different cultural and political influences that helped shape Young Poland, the Irish-Ireland movement represents one of the most intriguing and, historically, the most overlooked. -
A Pickpocket's Tale: The Underworld of Nineteenth-Century New York
Timothy J. Gilfoyle
In George Appo's world, child pickpockets swarmed the crowded streets, addicts drifted in furtive opium dens, and expert swindlers worked the lucrative green-goods game. On a good night Appo made as much as a skilled laborer made in a year. Bad nights left him with more than a dozen scars and over a decade in prisons from the Tombs and Sing Sing to the Matteawan State Hospital for the Criminally Insane, where he reunited with another inmate, his father. The child of Irish and Chinese immigrants, Appo grew up in the notorious Five Points and Chinatown neighborhoods. He rose as an exemplar of the "good fellow," a criminal who relied on wile, who followed a code of loyalty even in his world of deception. Here is the underworld of the New York that gave us Edith Wharton, Boss Tweed, Central Park, and the Brooklyn Bridge.
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Art As Politics: RE-crafting Identities, Tourism and Power in Tana Toraja, Indonesia
Kathleen M. Adams
Art as Politics explores the intersection of art, identity politics, and tourism in Sulawesi, Indonesia. Based on long-term ethnographic research from the 1980s to the present, the book offers a nuanced portrayal of the Sa’dan Toraja, a predominantly Christian minority group in the world’s most populous Muslim country. Celebrated in anthropological and tourism literatures for their spectacular traditional houses, sculpted effigies of the dead, and pageantry-filled funeral rituals, the Toraja have entered an era of accelerated engagement with the global economy marked by on-going struggles over identity, religion, and social relations.
In her engaging account, Kathleen Adams chronicles how various Toraja individuals and groups have drawn upon artistically-embellished “traditional” objects—as well as monumental displays, museums, UNESCO ideas about “word heritage,” and the World Wide Web—to shore up or realign aspects of a cultural heritage perceived to be under threat. She also considers how outsiders—be they tourists, art collectors, members of rival ethnic groups, or government officials—have appropriated and reframed Toraja art objects for their own purposes. Her account illustrates how art can serve as a catalyst in identity politics, especially in the context of tourism and social upheaval.
Ultimately, this insightful work prompts readers to rethink persistent and pernicious popular assumptions—that tourism invariably brings a loss of agency to local communities or that tourist art is a compromised form of expression. Art as Politics promises to be a favorite with students and scholars of anthropology, sociology, cultural studies, ethnic relations, art, and Asian studies.
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Millennium Park: Creating a Chicago Landmark
Timothy J. Gilfoyle
In association with the Chicago History Museum At its opening on July 16, 2004, Chicago’s Millennium Park was hailed as one of the most important millennium projects in the world. “Politicians come and go; business leaders come and go,” proclaimed mayor Richard M. Daley, “but artists really define a city.” Part park, part outdoor art museum, part cultural center, and part performance space, Millennium Park is now an unprecedented combination of distinctive architecture, monumental sculpture, and innovative landscaping. Including structures and works by Frank Gehry, Anish Kapoor, Jaume Plensa, and Kathryn Gustafson, the park represents the collaborative efforts of hundreds to turn an unused railroad yard in the heart of the city into a world-class civic space—and, in the process, to create an entirely new kind of cultural philanthropy.
Timothy Gilfoyle here offers a biography of this phenomenal undertaking, beginning before 1850 when the site of the park, the “city’s front yard,” was part of Lake Michigan. Gilfoyle studied the history of downtown; spent years with the planners, artists, and public officials behind Millennium Park; documented it at every stage of its construction; and traced the skeins of financing through municipal government, global corporations, private foundations, and wealthy civic leaders. The result is a thoroughly readable and lavishly illustrated testament to the park, the city, and all those attempting to think and act on a monumental scale. And underlying Gilfoyle’s history is also a revealing study of the globalization of art, the use of culture as an engine of economic expansion, and the nature of political and philanthropic power. -
Rally 'round the Flag : Chicago and the Civil War
Theodore J. Karamanski
In this landmark narrative history of Chicago during the Civil War, Theodore J. Karamanski examines the people and events that formed this critical period in the city's history. Using diaries, letters, and newspapers that survived the Great Fire of 1871, he shows how Chicagoans' opinions evolved from a romantic and patriotic view of the war to recognition of the conflict's brutality. Located a safe distance behind the battle lines and accessible to the armies via rail and waterways, the city's economy grew feverishly while increasing population strained Chicago's social fabric. From the great Republican convention of 1860 in the "Wigwam," to the dismal life of Confederate prisoners in Camp Douglas on the South Side of Chicago, Rally 'Round the Flag paints a vivid picture of the Midwest city vigorously involved in the national conflict.
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Fame, Money, and Power: The Rise of Peisistratos and "Democratic" Tyranny at Athens
Brian M. Lavelle
"The sixth century is a very contentious time;Fame, Money, and Powerunambiguously advances our understanding of Peisistratos and archaic Athens. No one else has tackled so many of the difficult issues that Lavelle has taken on."--David Tandy, University of Tennessee"Well researched and engaging, [Fame, Money, and Power] painstakingly builds [its] case for how the various phases of Peisistratos's career developed."--Tony Podlecki, University of British ColumbiaThe Athenian "golden age" occurred in the fifth century B.C.E. and was attributed to their great achievements in art, literature, science, and philosophy. However, the most important achievement of the time was the political movement from tyranny to democracy. Though tyranny is thought to be democracy's opposite and deadly enemy, that is not always the case. InFame, Money, and Power, Brian Lavelle states that the perceived polarity between tyranny and democracy does not reflect the truth in this instance.The career of the tyrant Peisistratos resembles the careers and successes of early democratic soldier-politicians. As with any democratic political system, Peisistratos' governance depended upon the willingness of the Athenians who conceded governance to him. This book attempts to show how the rise of Peisistratos fits into an essentially democratic system already entrenched at Athens in the earlier sixth century B.C.E.Emerging from the apparent backwater of eastern Attika, Peisistratos led the Athenians to victory over their neighbors, the Megarians, in a long, drawn out war. That victory earned him great popularity from the Athenians and propelled him along the road to monarchy. Yet, political success at Athens, even as Solon implies in his poems, depended upon the enrichment of the Athenian d?mos, not just fame and popularity. Peisistratos tried and failed two times to "root" his tyranny, his failures owing to a lack of sufficient money with which to appease thedemos. Exiled from Athens, he spent the next ten years amassing money to enrich the Athenians and power to overcome his enemies. He then sustained his rule by grasping the realities of Athenian politics. Peisistratos' tyrannies were partnerships with the d?mos, the first two of which failed. His final formula for success, securing more money than his opponents possessed and then more resources for enriching the d?mos, provided the model for future democratic politicians of Athens who wanted to obtain and keep power in fifth-century Athens.
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Christian Adulthood: A Journey of Self-Discovery
Evelyn Eaton Whitehead and John D. Whitehead
This book is a guide to Christian maturity. It helps readers discover their true selves and their real vocation in the world. Such self-discovery is a life-long process, described here as an attempt to learn and follow God's place for us in the world and God's plan for our lives. Included in the process are the topics of stewardship, loving oneself, and the use of personal power in one's life.
The authors are well known in their field. Evelyn Eaton Whitehead is a developmental psychologist who writes and lectures on adult maturity, leadership dynamics, and the social analysis of parish and community life. James D. Whitehead is a pastoral theologian and historian of religion. His area of concern is contemporary spirituality, leadership in ministry, and the use of theological methods in ministry. -
Consuming Visions: Mass Culture and the Lourdes Shrine
Suzanne K. Kaufman
Plastic Madonnas, packaged holy tours, and biblical theme parks can arouse discomfort, laughter, and even revulsion in religious believers and nonbelievers alike. Scholars, too, often see the intermingling of religion and commerce as a corruption of true spirituality. Suzanne K. Kaufman challenges these assumptions in her examination of the Lourdes pilgrimage in late nineteenth-century France. Consuming Visions offers new ways to interpret material forms of worship, female piety, and modern commercial culture. Kaufman argues that the melding of traditional pilgrimage activities with a newly developing mass culture produced fresh expressions of popular faith. For the devout women of humble origins who flocked to the shrine, this intensely exciting commercialized worship offered unprecedented opportunities to connect with the sacred and express their faith in God.New devotional activities at Lourdes transformed the act of pilgrimage: the train became a moving chapel, and popular entertainments such as wax museums offered vivid recreations of visionary events. Using the press and the strategies of a new advertising industry to bring a mass audience to Lourdes, Church authorities remade centuries-old practices of miraculous healing into a modern public spectacle. These innovations made Lourdes one of the most visited holy sites in Catholic Europe.Yet mass pilgrimage also created problems. The development of Lourdes, while making religious practice more democratically accessible, touched off fierce conflicts over the rituals and entertainments provided by the shrine. These conflicts between believers and secularists played out in press scandals across the European continent. By taking the shrine seriously as a site of mass culture, Kaufman not only breaks down the opposition between sacred and profane but also deepens our understanding of commercialized religion as a fundamental feature of modernity itself.
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Introduction to the Corporate Annual Report: A Business Application with IFRS Content
Thomas Zeller and Brian Stanko
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Domestic Ceramic Production and Spatial Organization : A Mexican Case Study in Ethnoarchaeology
Philip J. Arnold III
This pioneering ethnoarchaeological study is of contemporary ceramic production and consumption in several villages in the Los Tuxtlas region of Mexico. While many archaeologists have identified ceramic production zones in the archaeological record, their identifying criteria have often been vague and impressionistic. The present book's contribution is to use ethnographic research to suggest how archaeologists might consistently recognise ceramic manufacturing. It also places ceramic production in larger cultural contexts and provides details of the ecology, production, distribution, use, discard, and site formation processes. Philip Arnold's critical observations on some of the serious weaknesses in archaeological interpretations of ceramic production will interest Mesoamericanists and all other archaeologists grappling with these, and related, issues.
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Mulattas and Mestizas Representing Mixed Identities in the Americas, 1850-2000
Suzanne Bost
In this broadly conceived exploration of how people represent identity in the Americas, Suzanne Bost argues that mixture has been central to the definition of race in the United States, Mexico, and the Caribbean since the nineteenth century. Her study is particularly relevant in an era that promotes mixed-race musicians, actors, sports heroes, and supermodels as icons of a "new" America. Bost challenges the popular media's notion that a new millennium has ushered in a radical transformation of American ethnicity; in fact, this paradigm of the "changing" face of America extends throughout American history. Working from literary and historical accounts of mulattas, mestizas, and creoles, Bost analyzes a tradition, dating from the nineteenth century, of theorizing identity in terms of racial and sexual mixture. By examining racial politics in Mexico and the United States; racially mixed female characters in Anglo-American, African American, and Latina narratives; and ideas of mixture in the Caribbean, she ultimately reveals how the fascination with mixture often corresponds to racial segregation, sciences of purity, and white supremacy. The racism at the foundation of many nineteenth-century writings encourages Bost to examine more closely the subtexts of contemporary writings on the "browning" of America. Original and ambitious in scope, Mulattas and Mestizas measures contemporary representations of mixed-race identity in the United States against the history of mixed-race identity in the Americas. It warns us to be cautious of the current, millennial celebration of mixture in popular culture and identity studies, which may, contrary to all appearances, mask persistent racism and nostalgia for purity.
Loyola University Chicago faculty write and edit books on every subject imaginable. This gallery includes a selection of recently published faculty books, and includes links to the library copy of the book in most cases.
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